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Helen Frankenthaler 0 available works Why Sam Francis? Original, signed Sam Francis prints, paintings, monotypes and artworks all show the influence of Color Field painters, Abstract Expressionism, and Buddhism. He is associated with Tachisme, Jackson Pollock and created large format canvases for his mature work. We offer free evaluations. His later works focused areas of paint and color around the canvas edges, exposing the white and blank spaces in between.
Born in San Mateo, California during the roaring 20s, Sam Francis attended the University of California, Berkeley where he was vested in the study of sciences — particularly, botany, medicine, and psychology. He was later to serve in the U. It was during his time in the hospital ward that Francis learned how to paint and expressed his emotions and frustrations of his medical ailments through his works. Upon his release from the hospital, Francis spent some time traveling during the s throughout Paris and later, Japan.
He was so enamored with the print process that he established The Litho Shop, Inc to print and publish a limited edition of his prints. The prints he executed bear many similarities to his paintings. In both mediums, Francis uses vibrant colors and abstract forms, and his fascination with the graphic arts gave way to some of the most innovative experiments within fine art editions of his generation.
Sam Francis was as immensely influential as a printmaker as he was a painter, creating large scale, colorful lithographs that share the same spontaneous energy as his other works. He occasionally collaborated with Gemini G. To obtain the painterly look that his lithographs are acclaimed for, Francis would apply ink onto the lithographic limestone, often creating brushstrokes, drips, and splatters, just as he would with an oil or watercolor.
Executed in his distinct style, Sam Francis used aquatint, a technique of intaglio printmaking which etches areas of tone rather than thinly etched lines.
Francis would often utilize sugar-lift and spit-bite in his aquatints which create a look that is both spontaneous and painterly, with an appearance that oftentimes mimics splatters and brushstrokes.
In this medium, Francis was able to further explore his interest in color and texture. Because the plates used with this method can be wiped and printed form again, Francis would often create unique trial proofs in distinct colorations.
These rare, one-of-a-kind pieces are arguably his most undervalued on the market.
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Both painterly and graphic, monotypes are a hybrid of printmaking and painting, that embraces uniqueness over multiplicity; each impression is entirely unique. According to the Sam Francis Foundation, monotypes hold the same regard as unique works. Monotypes are created by applying ink, paint, or dry pigments on a smooth surface. Before the ink or paper dries, a paper is applied on top with firm pressure. The result is a print made from the impression that cannot be recreated.
Sam Francis preferred monotypes as they were considered the most painterly method in printmaking. He created unique results by constantly altering the pressure, technique and paints he used in the process.
These rare and exceptional works are wonderfully layered and colorful and demonstrate the gestural and spontaneous style of art which Francis is known for.
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These travels exposed him to Zen Buddhism, Asian culture and modern painting, three influences which would challenge and guide him artistically. His paintings are famous for influencing a second generation of abstract expressionists. To that end, he is often accredited for bringing action paintings to the West Coast.
Original Sam Francis paintings have increasingly high market value.
Sam (TV Series 1973–1975) - IMDb
These large scale panels feature a palette of predominantly blue with tinges of orange-red, yellow, purple, and green against white canvas which was left purposely and partially unpainted. Anchored by the bold coloration, it is in the drips, splashes, and thin veils of paint, that make this series so special. In his correspondences, Francis remarked this was his most important body of work. The works hanged in the museum from to Afterwards, Francis decided to split the trio.
Unfortunately, the paintings were badly damaged during shipping. The paintings are recognizable by the imagery of luminescent blue orbs placed against a crisp white background. The oil paintings from this series feature a limited color spectrum, and minimal composition.
The organic forms of the series, are displayed prominently and as if hovering in space, yet much of the canvas is left blank. These works were painted after Francis was hospitalized for renal tuberculosis. The title is a witty, yet deeply personal reference to his health condition. The work stands at a monumental size of 36 by 24 feet. The paintings are recognizable by the stains of red, blue green and yellow alongside the outer edges of the canvas which would remain bare, with only the white gesso exposed.
This radical series, quite literally pushed the boundaries of Abstract Expressionism. This minimal take on the style, is still engaging, challenging the viewer to question where the painting ends, which this series may suggest, is beyond the edge. These works are likened to works of James Turrell and Ed Moses. Following their legacy, Francis became an important figure in the second generation of abstract expressionists who were fascinated with the expressive use of color and form.
Francis worked across many mediums within the movement, such as prints and monotypes, and opened the door to doing so.
He transformed abstract expressionism by including references to religion, philosophy science and Asian art in his works. Typically, the paint is spontaneously smeared, splashed or dribbled onto the canvas, creating a feeling of rigor and movement, whether the action was actual or implied.
The goal is to convey the physicality of painting and was popularized by Jackson Pollock. Solo Show at the Crocker Museum 2. Drawing, Dreaming and Desire: Sunny side up — abstract expressionist painter Sam Francis.